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Open Form Companionship

Kaohsiung city, Taiwan | 2019


Open Form Companionship ‧ 半伴

不同於一般親子空間規劃將每一處填滿以滿足各成員需求,設計師這次選擇以「孩子視角」為發想主軸、大人的需求為輔,將大坪數的複層空間鋪做一張空白畫布,屋裡一切生活點滴則好作隨手調和的繽紛顏料,交由小主人翁藉著時間推進逐步填滿色彩、隨興累積卻飽含個性。看似大篇幅的留白,實為無窮的起點,時刻呈現出最真實的家庭模樣。

Unlike the usual parent-child space planning, which seeks to fill every place to meet the needs of all family members, here the designer chose the “children's perspective” as the theme, supplemented by the needs of adults. The designer seeks to make a blank canvas from the spacious multi-layer space, and add a little bit of colorful pigment that is easy to mix to match to every room so that the little master can over time gradually fill in the colors and complete the mosaic with his own personality. The large spaces seemingly left blank are actually just the starting point, reflecting the most authentic family experience at all times.

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為了讓長時間在家中活動的孩子發展不受限,決定捨棄舊有房型結構,開闊的格局規劃,讓室內每一角落扮演不同使命,是可以由孩子獨立支配的自主生活圈。 入門可見由休閒戶外窯變磚鋪設的玄關地面將動線延伸至陽台,是為喜愛在外玩耍的孩子便於清洗手腳而刻意規劃,一旁整牆洞板可彈性調整機能,不同使用高度也讓小朋友有自由發揮、布置的空間,充滿踏實生活感的角落與植栽綠意合襯成一席自然、蓬勃生氣。

In order to allow the children who have been at home for a long time more freedom, we decided to abandon the original house structure and adopt an open layout. This allows every corner of the room to play a different mission. It is a self-contained living space that can be controlled by the child independently.

From the entrance, one can see the leisure outdoor kiln altered flooring extends the dynamic line to the balcony. It is deliberately designed to make it convenient for the child who like to play outside to wash his hands and feet. On one side, the entire pegboard can adjust its functions elastically. Different heights also allow the child space for free play and layout. The practical design of the corner space combines with the natural vegetation to create a feeling full of vigor.

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廚房圓拱開口設計、工作區位置便於觀察陪伴也增加交流;二樓則設定為動態遊戲區,樓梯扶手結合木作與水泥空心磚、門板切割似葉子脈絡,從細節探出隱藏其中帶點復古踏實的「自然」語彙;主臥整側的床頭軟包保有調整彈性、斜狀繃布也與門片脈絡元素相呼應,原有大樑用拱形收邊修飾。整體色調設定為「半完成」的停留狀態,遵循「少即是多」的原則,去掉過多的外飾,好似剛結束批土的質樸原貌將其保留,讓視覺和觸覺回歸最原始的簡約自在,保持孩子想像力純粹的原點。

The opening design of the round arch of the kitchen and the location of the working area are convenient for keeping companions in sight and enhancing communication. The second floor is designated as the dynamic game area. The stair handrail combines woodwork with cement hollow bricks and the door engraved like the vein of leaves, revealing the hidden “natural” vocabulary with vintage elements in the details. The upholstery on the whole side of the master bedroom allows elastic adjustment and the diagonal stretchy cloth also mirrors the vein of leaves engraving of the door. The original beam is decorated with arch shaped hems. The overall hue is a “semi-finished” suspended state. Following the principle of “less is more”, excessive decorations are removed. It is just like retaining the simple and original appearance of the soil. Let the vision and touch return to the most primitive simplicity and freedom, and keep the pure origin of children's imagination.

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有如侘寂美學的精神發揮、卻又增添些許親子空間的活潑溫暖調性,以自我喜愛的風格為美學基礎,透過成員經年累月的加法運作讓每日居住場景產生充滿「人性」的變化。刻意地留白讓看似「不完整」的形式卻更加表達出自我精神,使理想的家,沒有設限。

The design follows minimalist aesthetics, but it also adds some lively warmth to the parent-child space. Based on the style of self-fulfillment, the daily living scene is made full of “human nature” through the interactions of family members over the years. Deliberately leaving blank space makes the seemingly “incomplete” form more expressive of one’s spirit and liberates one’s ideal home from restrictions.

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